Most people are fascinated by being above the clouds and seeing the world from above. Hiroyuki Masuyama conserves this special moment between heaven and earth in an endless panorama.

Unlike most of the works of Land Art, Richard Long’s interventions into the found landscapes during his conceptual hikes are only minimally invasive. His works are articulated by temporary traces, which are usually visible as lines or circular shapes.

Michail Pirgelis in an interview about his attitude to flying, the “graveyard of airplanes” and sustainability in aviation.

How do we experience our surroundings? Till Krause tries to answer this question with the help of maps. In his work Achse Kiel–Hamburg, Blickfeldkarte, a red line marks the beeline between the cities.

His first encounter with Dürer’s Christus am Ölberg 1521 made a lasting impression on Norbert Kottmann. The small pen-and-ink drawing was created during Dürer’s journey to the Netherlands and shows the pleading Christ, throwing himself to the ground, face down, and with arms outstretched. 

They seem tired and exhausted; their gaze is empty or directed at the smartphone. Others sleep, their heads leaning against the window of the train.

Anne Pöhlmann in an interview about the value of travel and her art.

In der Mitte Mee(h)r. More Africa, more Europe, and the sea. Between long panels of canvas, the viewers stand between cultures, as if they were standing in the sea between them.