Alicja Kwade wants to make time tangible in a physical space. Her works take the viewers on a tour that questions their perception.

Ready for the big hike, both backpacks are packed. Svetlana Kopystiansky, who had joined the Russian underground scene in the late 70s, emigrated to New York with her husband Igor in 1988, the year the works were created. 

While conversations face-to-face or on the phone and via letters once used to be the most common means of communication, now there are many more possibilities such as SMS, e-mail, instant messaging, and video chat.

Roman Ondak in an interview about (anti)nomads and postcards.

Stephan Huber visualizes biographical, philosophical, geographical, and artistic contexts. The artist’s life is the basis for Passage durch den Überbau.

Quo Vadis? is the first book of Jochem Hendricks’ well-stocked Reisebibliothek. It is placed on a wooden shelf, the outside of which is covered with municipal coats of arms and international registration codes.

July 1969 – the United States win the race for the Moon and cause thereby a fascination in the strange celestial body.

The large-format paper works by Philipp Goldbach confront the viewers with minuscule pencil hand writing of only a few millimeters in size. Only barely decipherable up close, the lines blur to a striped grey surface from a distance.