In 47 Faults between Calais and Idomeni, Sven Johne documents his journey through Europe, whereby each photo, tagged with the place, date, and time, stands for a stop.

Nowhere is Home refers to the Pegida demonstrations of 2015.

In 2008, Jerry Frantz proclaims the mobile embassy of the République Libre de Clairefontaine, which is in exile constantly at the IKOB – Museum of Contemporary Art in Eupen. Equipped with a flag, a coat of arms, and a national anthem, the republic stands for its main objective of absolute freedom of thought and expression.

An almost white sphere hangs inside of a display case. Only the characteristic meridian still refers to the fact that it originally depicted the world as a globe.

Scattered on the floor of an otherwise empty room are around 300 used, exclusively blue pieces of clothing. It only takes a quick glance at Kader Attia’s abstract and concentrated installation to understand the scope of the work, spatially as well as in terms of content.

In many of his works, Francis Alÿs deals with the subject of travel. The motif of movement is an essential principle of his artistic acts.

The artistic positions of the third stage show that art is not just limited to reacting to political and social grievances from a distance. With a high level of personal commitment and dedication, the artists travel directly to the crisis zones, the state of which they document, remind and warn us of.